Show Times

• May 2, 2025 7:30 pm

Ticket Prices

$35 plus applicable fees.

About The Show

In a career that took flight in 1985 with commercial and critical acclaim, guitar virtuoso Stanley Jordan has consistently displayed a chameleonic musical persona of openness, imagination, versatility and maverick daring. Be it bold reinventions of classical masterpieces or soulful explorations through pop-rock hits, to blazing straight ahead jazz forays and ultramodern improvisational works-solo or with a group-Jordan can always be counted on to take listeners on breathless journeys into the unexpected.

Key to Jordan’s fast-track acclaim was his mastery of a special technique on the guitar’s fretboard. Instead of conventional strumming and picking, Jordan’s innovative “touch technique” is an advanced form of two-handed tapping. While a handful of other players were using similar techniques, Stanley’s fluid, multi-layered textures and sheer virtuosity raised the bar for excellence. But his technique, though impressive, is always a means to a musical end. His music is imbued with a warmth and sensitivity that has captured the imagination of listeners worldwide. A classically trained pianist before playing guitar, Jordan wanted greater freedom in voicing chords on his guitar, so he applied piano principles to do so. Jordan’s touch technique allows the guitarist to play melody and chords simultaneously with an unprecedented level of independence. It also allows Jordan to play simultaneously on two different guitars, or even on guitar and piano. He says that “I think of it as a single instrument, but one with a wide range of tonal colors-that’s why I do it.”

To date Jordan has performed in over 60 countries on 6 continents. He has performed at many festivals, including the Kool Jazz Festival, the Concord Jazz Festival, and the Montreaux International Jazz Festival. During the 1980s he collaborated with a diverse array of artists, including performances with Art Blakey and Richie Cole and recordings with Stanley Clarke and Kenny Rogers. The track with Rogers, “Morning Desire”, became America’s #1 country song in 1986. Later Jordan became a frequent guest with Les Paul during Paul’s legendary Monday nights at Iridium in New York. Today Jordan performs frequently as a soloist and with his band, as well as collaborating with other guitarists such as Kevin Eubanks, Sharon Isbin and Muriel Anderson. He’s also a frequent guest with jam bands such as the Dave Matthews Band, the String Cheese Incident, Phil Lesh, Moe and Umphrey’s McGee.

Jordan has received four Grammy nominations. His most recent album “Friends” was nominated for an NAACP Image Award. Los Angeles Times jazz critic Leonard Feather wrote, “Genius is a word often tossed around in musical circles, but it has been rightfully applied to Stanley Jordan.”

OPENER:
James “Biscuit” Rouse
Drummer, singer, songwriter, musical director, and producer James “Biscuit” Rouse recently released his first solo album titled “Biscuit and Buddy” after working as a sought-after drummer and vocalist in many bands. Rouse a Philadelphia native decided to bring a twist to this debut release and largely dedicated it to interpreting the music of one of his heroes, drummer George “Buddy” Miles. Buddy Miles is best known for his work with Jimi Hendrix, Carlos Santana, The Electric Flag, Mike Bloomfield and Bootsy Collins, but he’s also known for interpreting tracks like “Down by the River,” written by Neil Young.

After interpreting some of Miles’ music live with Vernon Reid, Rouse received encouragement to keep exploring Miles’ music, resulting in several years’ work leading up to the album. Rouse received the Buddy Miles award at the R & B Hall of Fame induction on October 6th in Cleveland. he will be sharing Buddy’s music live at the Avenel Peerforming Arts Center on Friday May 02 opening for Stanley Jordan

Woodbridge Township presents Stanley Jordan at The Avenel Performing Arts Center with support from Woodbridge Arts.

Story Brief

James “Biscuit” Rouse: